Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though slight debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single key story turn, but it leads to a comically executed chaotic run on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
